Having absolutely no interest in fashion, whether high or low, I looked only at the editor's message which was written by one Giselle Go, the Chief Editor. A person's real name doesn't tell us anything about him or her because one doesn't choose one's own name but the name of someone of Chinese descent is usually quite different. Of course we have the odd person who, like me, is perfectly comfortable in his own skin and uses only his name in his birth certificate but thank goodness, the world doesn't consist of only such boring folks and there are many who make up names for themselves. You may know a Chan Chee Wan at school who, when you meet years later, tells you he's now Nehemiah Chan and he really won't be too pleased if you insist on calling him Chee Wan. Some of them go one step further and change even their family names, especially if their surnames are susceptible to minor cosmetic changes. One such example is the Chinese surname Goh (as in our former PM's name, Goh Chok Tong). I see an increasing number of Gohs dropping the final "h" in their names. The worst case of a name change must be the one I saw in the Government Gazette a long time ago. One Teo Ah Bah took a deed poll to change his name henceforth to Dane Teo Marciano. Yes, you can say that again: Good Lord!
I don't have to peer into my crystal ball to tell you that anyone who gives herself the name Giselle Go probably has a heightened fascination for fashion - graceful as a gazelle and always on the go and the name leaves a French taste in the mouth just like the feeling you get after having eaten a delightful tarte flambee (and please don't say my taste is crass; I know it is).
When I read the editor's introductory message in the magazine, I expected something perfectly written. After all, this is the inaugural issue of "HIGH" and anything less would detract from the classy feel of the magazine. Here's a pic of the "Editor's Note":
The welcoming message begins with a quotation from Coco Chanel: "Luxury is the absence of vulgarity". What the writer should bear in mind is, similarly, elegance is the absence of bad grammar and poor sentence structure. A cursory reading of it is enough to tell me that the writer is either extremely careless or perhaps she is simply not at home with the English language. Someone who has read the other articles in the magazine tells me that there are grammatical errors in the articles too but I have no problem with that. The articles are written by fashion experts who may not be comfortable with English and that's perfectly pardonable. What's not excusable is the editor's opening message. Surely if you want to allow yourself some laxity, you should at least go easy only after your first issue has been published and spotlessly too?
Years ago, on another blog of mine which has since been abandoned, I wrote about a glaring error in a notice advertised by SMU in the Straits Times on its inaugural graduation ceremony. There were just four sentences in that notice and SMU could not even ensure there were no grammatical mistakes in their advertisement. Of course Straits Times didn't publish my letter. I won't give a link to that abandoned blog but I may post a pic of the advertisement in this blog in the future when I have more to say about the Straits Times. And I do have a lot to say about the Straits Times.
Everyone should be careful about what he writes especially if it's something as important as an inaugural issue of a magazine on high fashion that despises the vulgar and tawdry.
I have rambled on quite a bit and I'm tempted to close this entry but I think it would not be fair of me not to give a few examples of what I'm talking about. I have slammed the Editor's Note of HIGH and I must at least produce the evidence.
The general writing style of the Editor's Note is not smooth. Almost every sentence contains some error in grammar or syntax: a word that shouldn't be there, a wrong preposition, etc. Most of the sentences are ill-formed and ungainly. There is an obvious attempt to sound slick and sophisticated and some of the sentences are too long for the writer to handle. An inexperienced writer should avoid long sentences but if you really want to try your hand at them, you should mentally remove some of the clauses and see if the sentence can stand on its own.
It's roughly the same for the whole of the Editor's Note of HIGH's inaugural issue but I will just look at the first two or three sentences:
"...the word 'luxury' has become all too easily bandied about". This is so clumsy. A word is bandied about. It does not become bandied about. If I am to retain the general tone of Giselle's sentence, I would phrase it "the word... is all too often bandied about".
In the next sentence (see the excerpt above), Giselle boasts about her interview of Diego Della Valle, the CEO of Tod (presumably some fashion house) and I'm not censuring her for this. It's of course perfectly legitimate for her to do that but she should have written about that experience correctly and unambiguously. The sentence ends with "... where he dispenses wisdom on the word". I thought Diego expounded on the meaning of "luxury" in the Colosseum. By the way, there is no excuse not to get your spelling right; I've seen the word in Italian and it's not spelt that way either, neither at the Colosseum itself nor the metro station named after it. You see, the "where" is totally inappropriate in that sentence. The only place mentioned in the sentence is the Colosseum but it was not at the Colosseum that Diego explained what "luxury" meant to him. As I discovered later in the Editor's Note, it was in Hong Kong and that's quite a distance from the Colosseum. This use of "where" more as a conjunction is a terrible abuse of the English language. It's a common enough mistake in speech which is pardonable since one hasn't got much time to get one's sentences perfectly constructed in a speech but I expect greater care in the Editor's Introductory Message of an inaugural issue of a magazine that purports to clobber vulgarity and lack of taste on the head.
There is something to be said about almost every sentence in the Editor's Note. If it's not an outright error, it is probably not so elegantly phrased. But I've got a life to live and I'm not a paid school teacher with a job to correct my students' writing and so I'll just end here.
Edit: I just discovered there there was some publicity given to HIGH magazine by Today Online. Click here
It's "MediaCorp's new luxury lifestyle magazine for women". It's an annual magazine which of course makes matters worse. They should have been more careful with the Editor's Note if it's only churned out once a year.
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